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Chris Massingill

Artist Statement

 

My working studio's name is “the tiny, tiny studio." It is named after my small working space where I create things, sometimes have workshops or private lessons, and occasionally allow adult students to use studio space and supplies independently to create their own works.

 

I am essentially a  “teaching artist."  I have 9 years of experience teaching art in the public schools K-12 but am currently only teaching workshops and private lessons.  One of my favorite things about teaching is learning about new materials and techniques which I think help to inform my work and to push me in new directions.

 

I have a BFA in Ceramics from the University of Central Arkansas, but I also like to experiment with other media, especially photography (mostly of my own creations), and I like to re-purpose found objects.

 

My current body of work consists of mostly ceramics. I like to work with a white earthenware clay that I either glaze for functional work or that I use a cold finish with for sculpture or small pendants and magnets.  Because of this all of my functional work is food safe as well as dishwasher and microwave safe.  The ceramics I design and create lean more towards art pottery than studio pottery as I like each piece I create to be unique.  

 

My other current lines of work involve “found objects” such as my soft sculptures made from socks and buttons that I also photograph and create narratives for as well as some flea market silverware to which I have been adding text.


Although I like to experiment with other media, clay is still my primary medium, and the inclusion of text or stamped texture in all my work is a common thread the connects all of my work. Often I have heard the argument that fine art that needs text is not successful on its own, but I love text. My mother was a writer, my father worked in the printing industry as well as being a photographer, and I have been an avid reader all my life. I absolutely adore books, text and fonts, and letterpress letters kind of make me swoon, so I cannot resist the urge to incorporate these elements into my work.

 

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